³ªÀÇ °ÍÀÇ Ã¥Àº ¿µÈ°ü ½ºÅ©¸°¿¡, "Veronika ÀûÀÀ½Ã۰í ÀÖ´Ù" Á×´Â °ÍÀ» °áÁ¤ÇÑ´Ù. Sarah Michelle Gellar´Â Veronika¸¦ ÇØ¼®ÇÒ °ÍÀÌ´Ù.
±×µéÀÌ ´º¿å¿¡ ÀÖ´Â ¿µÈ¸¦ ÂïÀ» ¶§, ³ª´Â Àú¸¦ ¼¼Æ®¸¦ ¹æ¹®Çϵµ·Ï ¿ä±¸ÇÑ ±¤»ê Livia RuasÀÇ µ¶ÀÚ°¡ ÀÖ¾ú´Ù. ÀÌ °æÇè¿¡ ±×³àÀÇ °èÁ¤Àº ¿©±â¿¡¼ ÀÖ´Ù:
"5¿ùÀÇ ÃÊ¿¡, ³ª´Â Ã¥ "Veronika°¡" Á×´Â °ÍÀ» °áÁ¤ÇÏ´Â PauloÀÇ Coelho°¡ DAS Çʸ§ »ý»ê¿¡ ÀÇÇØ Å« ½ºÅ©¸°¿¡ ÀûÀÀ½Ãų °ÍÀ̶ó´Â Á¡À» ¾Ë¾Æ³Â´Ù. Ã¥À» Àд »ç¶÷µéÀº, À§Ä¡¿Í °°Àº Çʸ§ ¹öÀü¿¡ ÀÖ´Â ¾à°£ º¯È¸¦ ÁÖÀÇÇÒ °ÍÀÌ´Ù. Ã¥¿¡¼´Â, À̾߱â´Â ½½·Îº£´Ï¾Æ °øÈ±¹¿¡¼ ÀϾÙ, ±×·¯³ª ¿µÈ¿¡¼ ´º¿å¿¡¼ ÀϾÙ. º¯È¸¦ À§ÇÑ ÀÌÀ¯´Â µµ½Ã°¡ ¿µÈ¸¦ ±×µé °æÃ»ÀÚ¿Í relatable Á¦ÀÛÇϱâ, ¶§¹®ÀÌ´Ù »ý»êÀÚ Mitchell Goldman¿¡ µû¸£¸é.
³ª°¡ ÀúÀÚ¸¦ °æÅºÇϰí±â ¿µÈ¸¦ »ç¶ûÇϱ⠶§¹®¿¡, ³ª´Â Çʸ§ ¼¼Æ®¸¦ ¹æ¹®ÇÏ´Â ±âȸ¸¦ Åë°úÇÒ ¼ö ¾ø¾ú´Ù. ³ª´Â ¾¾¿Í Á¢ÃËÇÏ¿© ¾ò¾ú´Ù. Paulo Coelho¿Í ±×¿¡°Ô ¼¼Æ®¸¦ ¹æ¹®ÇÏ´Â Çã°¡¸¦ ¿äûÇÏ´Â. ±×°¡ ¾ÆÁÖ ÀÚºñ·Ó±â ¶§¹®¿¡, ±×´Â Àú¸¦ µ½´Â °ÍÀ» ¸Á¼³Àδ٠Çß´Ù. ³ªÁß¿¡ 2, 3ÀÏ, ³ª´Â Mitchell Goldman¿Í Á¢ÃËÇÏ¿© ÀÌ¹Ì À̾ú´Ù. ÀÏ, ¼¼Æ®´Â ºÎ·çŬ¸°, ´º¿å, ¹× ±×°Í¿¡ ÀÖ¾ú´Ù Á¦2¿¡ ÃѰݻç°ÇÀÇ ¸¶Áö¸· ÀÏÀ̾ú´Ù.
¸ðµÎ´Â ¿·ÁÀÖ´Â ÆÈ¿¡ Àú¸¦ ȯ¿µÇß´Ù: Mitchell´Â ¸ðµÎ¿¡ Àú¸¦ ¼Ò°³ÇÏ°í ³ª°¡ ÃѰݻç°Ç¿¡ °üÇÏ¿© ¾Ë°í ½Í¾ú´ø ¸ðµÎ¸¦ ÀÀ´äÇß´Ù. ³ª´Â ¿µÈ¿¡ ÁÖ¿ä ¹è¿ì Edward¸¦ ÇÏ´Â ¿ä³ª´Ü TuckerÀÇ, ÇѰú ¸»Çß´Ù. ±×´Â ½ÇÁ¦ÀûÀÏ ¼ö ¾ø¾ú´Ù. Veronika ÀÇ ±×³àÀÇ ÅÚ·¹ºñÁ¯ ¼î Buffy¸¦ À§ÇÑ ºê¶óÁú °øÁß¿¡ ÀÇÇÏ¿© ´õ Àß ¾Ë·ÁÁö´Â Sarah Michelle Gellar°¡ ÇØ¼®ÇÏ´Â ÁÖ¿ä Æ¯¼º ÈíÇ÷±Í »ìÇØÀÚ.
³ª°¡ ¼¼Æ®¿¡ üÀçÇÑ 5 ½Ã°£ µ¿¾È¿¡, ³ª´Â ÃÔ¿µµÇ´Â 2°³ÀÇ Àå¸éÀ» ºÃ´Ù. Àå¸éÀÇ ÇѰ³´Â ÁÖ¿ä Æ¯¼ºÀÇ µÑ ´Ù¸¦ °¡Áø ¾ÈÂÊ VeronikaÀÇ ¾ÆÆÄÆ®À̾ú´Ù. ÀÌÈÄ¿¡, ¿ì¸®´Â ¸ðµÎ ÀÏÀÇ ¸¶Áö¸· Àå¸éÀ» À§ÇÑ °Ç¹°ÀÇ Á¤¸é¿¡, °¬´Ù. ³ª´Â ½ÃÀÛÇϱâ À§ÇÏ¿© ¿©¹è¿ì°¡ ³ª°¡ ¿µÈÀÇ ÀϺκÐÀÌ°í ½Í¾îÀ»Áö Áú¹®ÇÏ Àú¸¦ ³î·¤ ¶§ Sarah Michelle Gellar, Àå¸éÀ» ±â´Ù¸®°í ÀÖ¾ú´Ù! ´ç¿¬È÷ ³ª´Â ¹Þ¾ÆµéÀ̰í 5 ºÐ¿¡¼ ¿©ºÐÀÇ °ÍÀ¸·Î ¿µÈ¿¡¼ À̾ú´Ù. Sarah Gellar was one of the nicest people on set, she not only invited me to be part of a scene, but she talked to me between takes and was even more pleasant to me on my second day. Actually, the next time I see her, we both will be wearing some cute tennis outfits (but that is just my wishful thinking).
According to Goldman, they just wrapped filming, and now they have to work on the postproduction. He said they hope to launch the movie in festivals such as Cannes and Sundance next year and are planning for a major worldwide release. Who knows, maybe they show up in Brazil?
My visit was better that I imagined, and would like to thank everyone who made it a great experience, particularly Mitchell Goldman who was in contact with me since the beginning. I also would like to thank Sriram Das who authorized my visit and a special thanks to Mr. Paulo Coelho who made it all possible.
In conclusion, Goldman said that ¡°the condition of alienation experienced by the character of Veronika is something that is common in today¡¯s youth and we wanted to tell that story¡± explaining on why they chose the book for the adaptation. He affirms that the artistic expression of the book as a film will have some difference, but they hope that these differences will only add to the story.¡±
by Paulo Coelho





















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